Tag Archives: Milan

Milan at last

Last time, I talked about our journey through dream-haunted Switzerland in May 2018. As any reader of Horror on the Orient Express knows, after Lausanne, the next stop is Milan.

Our train journey to Italy was through the landscape of our imagination, between mountains and the lakes, past the Chateau de Chillon, and into the Simplon Tunnel. Lago Maggiore was sprinkled with tiny islets topped with medieval towers.

Lake Maggiore

Lake Maggiore

We sped through the Simplon Tunnel so fast we were unable to get a satisfactory photograph (next time, we’ll get off at the station). The train rushed on and deposited us in the grandeur of Milano Centrale. We walked through the busy town and rounded a nondescript corner and came upon the grandeur of the Duomo unaware. She looked unutterably gorgeous, and wore her seven centuries like a queen.

Duomo

The Grand Old Lady

We explored the shadowy nave, where we found some statues that did not seem entirely ecclesiastical. This one looked as if it had got sick of the skull it was carrying and was eyeing us off for a fresh one.

Statue in the Duomo

Fenalik in the Duomo?

We just crept quietly by this one, studiously looking the other way so as not to catch its eye.

Statue in the Duomo

Could it be the Skinless One?

We then scaled the rooftops where Mark did his best Fenalik impression amid the soaring spires.

Mark on the Duomo roof

Amid the Spires

Next we sauntered through the Galleria Vittoria Emanuele II, opened in 1877 as the world’s first shopping mall. During  construction the architect plunged from the roof top to his death. Was this by bad luck or unhallowed design?

Galleria Vittoria Emanuele II

The Galleria Vittoria Emanuele II

Interior - Galleria Vittoria Emanuele II

It looks like a long way to fall.

We emerged at the Teatro Alla Scalla, where we had a back stage tour of this exuberant confectionery box of a theater.

Teatro Alla Scalla

Teatro Alla Scalla

Teatro Alla Scalla

Inside the Teatro Alla Scalla

Mark was awestruck to find himself in the actual locations that Bernard Caleo used to such great effect in his scenario Note for Note in Horror on the Orient Express. There’s something to be said for being a tourist of the imagination.

Mark and Aida

As sung by the Diva Caterina

We have just a few remaining cities left to visit on the route followed by the campaign, as we visited London, Paris, Venice and Istanbul in 2010. Perhaps in a year or two we will finally visit Trieste, Zagreb, Belgrade and Sofia, albeit travelling in considerably less style than the fabled Orient Express of the Roaring Twenties.

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Filed under Chaosium, Travel

Opening night at La Scala

Looking at real places is always a help when running a scenario.  The Guardian website has a feature on opening night at La Scala, Milan. It’s a vivid and heartfelt look behind the scenes at La Scala, and  really sums up the central place the opera house holds in the hearts of the opera-l0ving Milanese. It will also give Keepers some ideas on how to run the Milan chapter of Horror on the Orient Express.

http://www.guardian.co.uk/travel/video/2013/feb/19/scala-opening-night-peroni-italy-video

Opening night at La Scala [Source: The Guardian website]

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Library Use made easy

While Mark was running the Milan playtest the players got really interested in a mural in La Galleria Vittorio Emanuele. The Egyptian style mural was one of four in the roof of the Galleria, visible from their hotel room in the Hotel de la Ville (situated in the Galleria itself).

The mural’s Egyptian theme intrigued the players who had tickets to see Aida at La Scala. They spent some time trying to get a closer view. However there’s no closer view to be got without climbing the sheer stone façade of the Galleria. There’s a black and white illustration in the 1991 boxed set but showing a colour photograph to the players gives the image that much more impact.

Mark found some wonderful photos on Absolutely Faaabulous, a fashionista blog (of course; this is Milan after all):

Galleria Vittorio Emanuele II

Egyptian mural above the Galleria Vittorio Emanuele II (Source: Absolutely Faaabulous blog)

Close up of the mural. (Source: Absolutely Faaabulous blog)

Close up of the mural (Source: Absolutely Faaabulous blog)

The same blog also passed on a delightful rumour about the mysterious properties of a mosaic of a bull in the floor of the Galleria. If you spin three times on one foot on the bull’s testicles, your wish will come true. This is not quite as romantic as singing along with the singer on the stage of La Scala but has certainly had a deleterious effect on the bull’s testicles.

The Galleria Vittorio Emanuele handily connects La Scala Opera House to the Duomo Cathedral, these three beautiful buildings forming the heart of Milan.

On another Google Images related note, why describe the luxurious hotel to your investigators when you can show them a picture? In writing the Travelers’ Guide I am listing some truly opulent hotels in all of the cities (with some mid-price options for the less spend-thrift investigators). Some of these hotels are still in operation and their websites often provide historical images. Here’s several for the Beau-Rivage Palace, Lausanne:

Beau-Rivage Palace historical photograph (Source: Hotel official website)

Beau-Rivage Palace historical photograph (Source: hotel official website)

When you’re trying to describe a luxury hotel a picture certainly works wonders. The players invariably gasp and head for the cheaper option.

This has all been a lot easier than it was the first time around in 1991. It is a great age to be running Cthulhu scenarios, where you can have arresting images delivered to the tabletop via tablet or laptop.

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Filed under Library Use, Playtesting